For beatmakers
You made it. Now find it.
Eleven years of sessions across four drives is not a filing problem. It is a memory problem, and it gets worse every month you keep working.
An artist asks for “the one you sent in spring”.
You know exactly which beat they mean. You do not know which drive it is on, whether the file is called what you think it is called, or whether the version you sent was v2 or v3. Twenty minutes later you send something and hope. This is not a discipline failure: no naming convention survives a decade, and the folder was never the thing that was supposed to remember.
Around 140, dark, the one with the choir. Tempo and key are read out of the audio itself, so they are searchable whether or not you ever typed them into a filename, and your own tags are searchable beside them.
LibraryWho you sent it to, when, and whether they opened it. Not in a spreadsheet you stopped updating: on the beat itself, so the answer is where you already are.
CampaignsGrind reads the folders you already use, wherever they live. Every file keeps its name and its place on disk, and the catalogue is useful the day you point it at your drives.
SecurityYour beats already have a story. Keep track of it.
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